First, are you our sort of a person?First, are you our sort of a person? As the first line and the title indicate, the “applying” man/customer has no guarantee that the salesman can find a wife for him because he does not look like the ideal candidate. In other words, he is a mutilated man.
Do you wear
A glass eye, false teeth or a crutch,
A brace or a hook,A brace or a hook, the word hook recurs in the following Ariel poems: “Tulips,” “Elm,” “Berck-Plage,” “Ariel,” and “The Munich Mannequins.” Plath used this word throughout 1962: she mentions it four times in the long poem “Three Women,” in “Burning the Letters,” and in the poems that were part of the original Ariel manuscript: “The Jailor,” “The Detective,” and “The Other.” Even a few days before her death, Plath kept using the image of hooks in “Gigolo” and “Mystic.” In “The Applicant,” Plath used hook to refer to an artificial limb, but she often associated hook with the word smile to refer to hypocritical smiles, especially the ones women are forced to display, or hooks to catch attention and love, such as the speaker’s husband and child in “Tulips,” who remind her that she “abandoned” them while being hospitalized. Hooks can also be baits in Plath’s work.
Rubber breasts or a rubber crotch,
Stitches to show something’s missing?Stitches to show something’s missing?This description recalls the creature in Mary Shelley’s Frankenstein, whose monstrous body is made up of body parts stolen from corpses. No, no? Then
How can we give you a thing?
Stop crying.
Open your hand.
Empty? Empty. Here is a hand
To fill it and willing
To bring teacups and roll away headaches
And do whatever you tell it.
Will you marry it?
It is guaranteed
To thumb shut your eyes at the end
And dissolve of sorrow.
We make new stock from the salt.
I notice you are stark naked.I notice you are stark naked.Both the applicant/future husband of line 19 and the living doll/future wife of line 30 are naked. They are vulnerable but for different reasons: the man is incomplete without a wife, and the woman is “Naked as paper to start” because, like Pygmalion, the groom can shape her according to his needs.
How about this suit——
Black and stiff, but not a bad fit.
Will you marry it?
It is waterproof, shatterproof, proof
Against fire and bombs through the roof.Against fire and bombs through the roof.The reference to war is subtle here compared to other poems Plath wrote between October 7 and November 4, 1962, such as “The Swarm,” “Daddy,” “Fever 103°C,” “Cut,” and “Lady Lazarus.”
Believe me, they'll bury you in it.
Now your head, excuse me, is empty.
I have the ticket for that.
Come here, sweetie, out of the closet.Come here, sweetie, out of the closet.The wife is a well-kept secret who finally gets out of the closet, metaphorically and literally as she is compared to a suit. The day before she wrote “The Applicant” on October 10, 1962, Plath wrote the poem “A Secret,” whose last line is, similarly, “The secret is out.”
Well, what do you think of that?
Naked as paper to startNaked as paper to startThe first wedding anniversary is associated with paper. Plath uses it here as a symbol of the wife’s submission: she is a blank sheet of paper on which the husband can write anything he wants, telling her what to think or do.
But in twenty-five years she'll be silver,
In fifty, gold.In fifty, gold.Plath again refers to wedding anniversaries and the metals or materials they are traditionally associated with: 25th wedding anniversaries are associated with silver, 50th anniversaries with gold. This line can be compared to other Plath poems about marriage and wedding anniversaries written around the same time as “The Applicant” (October 11, 1962): “A ring of gold with the sun in it? / Lies. Lies and a grief.” (“The Couriers,” November 4, 1962) and “Flesh, bone, there is nothing there – […] / A wedding ring, / A gold filling” (“Lady Lazarus,” October 23–29, 1962).
A living doll, everywhere you look.
It can sew, it can cook,
It can talk, talk, talk.
It works, there is nothing wrong with it.
You have a hole, it’s a poultice.You have a hole, it’s a poultice. The husband lacks something—physically, psychologically or emotionally—hence the mention of a hole. The wife is expected to be a tool healing the husband as a poultice covers a wound.
You have an eye, it’s an image.You have an eye, it’s an image. The wife must be useful but decorative as well. She is a work of art to contemplate and admire, so she must remain attractive.
Sylvia Plath was one of the most dynamic and admired poets of the 20th century. By the time she took her life at the age of 30, Plath already had a following in the literary community. In the ensuing years her work attracted the attention...