I Stand Outside This Woman’s Work
& watch Kevin Bacon conjure fake tears in a Real Hallway
& I am Real Tears in a fake hallway
& “Procreation is gross though”
I’m nine & a half, watching “The Miracle
of Life” on my mother’s bed
Stirring my shells & cheese
I see that Big ’70s Bush split in twain!
I drop my spoon
Surely, I am not this Bloody Meat
I march down to the kitchen
& make an announcement:
“I am never having a baby!”
My mother takes me to a Sunday
matinee of She’s Having a Baby
In the dark, we share a giant pickle
in wax paper & weep openly
for Poor Kevin Bacon
There’s been a complication with the birth
& Kate Bush croons
“Ooh, it’s hard on the man, now his part is over. . .”
In line to buy the soundtrack at Sam Goody
my mother tells me a secret—
“Women who don’t give birth
tend to get cancer.”
Everything begins to split:
Meanwhile, under the microscope
pond scum cells shimmer
& for god’s sake mitose
Something wicked falls
sideways from my mouth “Why don’t you have
your own grandkids then?”
This is more or less what my mother does
but not without complications—
What an awkward sort of sadness to wait out in the hallway
with Poor Kevin Bacon
while Birth & Death sing their biggest hits
without you
& I am Real Tears in a fake hallway
& “Procreation is gross though”
I’m nine & a half, watching “The Miracle
of Life” on my mother’s bed
Stirring my shells & cheese
I see that Big ’70s Bush split in twain!
I drop my spoon
Surely, I am not this Bloody Meat
I march down to the kitchen
& make an announcement:
“I am never having a baby!”
My mother takes me to a Sunday
matinee of She’s Having a Baby
In the dark, we share a giant pickle
in wax paper & weep openly
for Poor Kevin Bacon
There’s been a complication with the birth
& Kate Bush croons
“Ooh, it’s hard on the man, now his part is over. . .”
In line to buy the soundtrack at Sam Goody
my mother tells me a secret—
“Women who don’t give birth
tend to get cancer.”
Everything begins to split:
Maybe the mother’s body
or the pregnant calico
or the way I learn my left
how sometimes at night
teacher hovers over my bed
marker & keeps score
Suck it in, suck it up
or the pregnant calico
or the way I learn my left
how sometimes at night
teacher hovers over my bed
marker & keeps score
Suck it in, suck it up
splayed on the table
unseamed by coyotes
splits before my right
my dead dance
with a black magic
on my headboard
she hisses & squints
unseamed by coyotes
splits before my right
my dead dance
with a black magic
on my headboard
she hisses & squints
I get addicted to split-
starring impossible people
leading Double Lives
starring impossible people
leading Double Lives
screen sex comedies
from the ’6os
in Twin Beds
from the ’6os
in Twin Beds
Every adult I know is in a trial
& none of them
whispering double
& none of them
whispering double
separation
seem to be
entendres into a Princess phone
seem to be
entendres into a Princess phone
pond scum cells shimmer
& for god’s sake mitose
Something wicked falls
sideways from my mouth “Why don’t you have
your own grandkids then?”
This is more or less what my mother does
but not without complications—
What an awkward sort of sadness to wait out in the hallway
with Poor Kevin Bacon
while Birth & Death sing their biggest hits
without you
Karyna McGlynn, "I Stand Outside This Woman's Work " from 50 Things Kate Bush Taught Me About the Multiverse. Copyright © 2022 by Karyna McGlynn. Reprinted by permission of Sarabande Books, Inc.
Source:
50 Things Kate Bush Taught Me About the Multiverse
(Sarabande Books, Inc., 2022)