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Showing 41 to 50 of 703 Articles
  • Essay
    By Esther Allen

    Stories and Poems of a Class Struggle, by the Salvadoran poet Roque Dalton, remains a tender but fiery call for revolution. 

    A black-and-white portrait of Roque Dalton sitting down, looking to his right, in a checkered shirt.
  • Essay
    By J. Howard Rosier

    In Dark Days: Fugitive Essays, the poet Roger Reeves delivers an unruly examination of race, community, and history.  

    A painting of two figures grappling or embracing in a lake. Their skin is dark and crossed with lines.
  • Essay
    By Tiana Reid

    In The Ferguson Report: An Erasure, Nicole Sealey transforms a Department of Justice report into a transcendent poetic intervention.

    A collage of a barking dog, part of a Department of Justice seal, and flying birds. A few red lines are scattered throughout like redactions.
  • Essay
    By Rhian Sasseen

    In Information Desk, Robyn Schiff recalls the beauty, boredom, and absurdities of working at the Metropolitan Museum of Art.  

    An illustration of people standing in front of two large eyes that are framed like paintings on a wall.
  • Essay
    By Keith D. Leonard

    Two new genre-bending books by Terrance Hayes find freedom in individuality.

    A collage of a basketball player with a map forming the background.
  • Essay
    By Kimberly Alidio

    In The Diaspora Sonnets, Oliver de la Paz explores immigration in personal and linguistically patterned lyrics.

    A collage made of waste paper, featuring two figures standing at either end of a green car.
  • Essay
    By Lily Meyer

    The young Polish-language poet Zuzanna Ginczanka was killed in the Holocaust. Two new translations offer different renditions of her startling work. 

    A black-and-white portrait of Zuzanna Ginczanka leaning against a balcony railing.
  • Essay
    By Andrew McMillan

    With Gravity and Center, Henri Cole finds a home in the sonnet’s mix of freedom and constraint.  

  • Essay
    By Noah Warren

    Megan Fernandes’s I Do Everything I’m Told is a formally promiscuous enactment of distance and desire.

    An illustration of two figures standing on opposite balconies at night, pressing their hands together. Behind them is the moon and the lights of a city.
  • Essay
    By Nick Sturm

    Harry Fainlight was a Beat visionary overshadowed by his famous friends and sidelined by mental illness. His legacy is ripe for reassessment. 

    A collage featuring a black-and-white photo of a man at a typewriter and images of hand-holding against a blurry photo of foliage.
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