An Elegy for the Family [W]rex
“O Lord, Sula,” she cried, “girl, girl, girlgirlgirl.”
— Toni Morrison, Sula
Your heel, a shiv slicing open the hide
of some heedless, anonymous creature
creeping beneath the El’s wide lip shimmer,
circumspect to the stomp of your danger.
Six blocks of rank asphalt & ruined sidewalk
beyond the splintered door jamb you shot out
screamer, big-talker, inevitable
drifter. Wind and tight handfuls of glitter
thrusted among Philadelphia’s blood
stained Japanese Maples, ridged Watchtowers
—their covers splatter-painted, rain tie-dyed.
You showed your nipples at my old home club
ATLANTIS: THE HIDDEN TREASURE, awash
with resign. What you want, you’ll never find.
Just resign. What you want, you’ll never find.
Non-profit motivation, still employed
(Not in denuded halls I once haunted,
but in carpeted cubical devoid
of lucrative potential.) Skeptical
slash resentful of sheltered coworkers.
I’d hear my call to the stage DYNASTY
LIKE-NO-OTHER! as I snoozed through meetings
snorted awake, afraid of defunct fees.
Together we were The Family (W)Rex
Every night, we staged our plays. Seven days
a week. Your ass went on for forever,
my plush thighs broader still than dinner trays.
The Brocade Sling! The Vintage Ermine Muff!
One silk slingshot, one vintage ermine muff
four limp black wigs: real hair and plastic thread.
You stashed vices in spider holes: codeine
tabs, Xanax, and cash. You gathered toys spread
out on the floor into trash bags. My niece
barely had any before you arrived.
Her uniform spotless, her blankets rags,
a glowering, sullen streak in her eye
for which I don’t blame her. A child, scared.
She rages, mopes, and cries until she chokes
opposite Auntcle as novice au-pair.
Her mother elsewhere, swathed in Newport smoke
devoured by the slick beast that bore us.
On your leave, at first, I felt empowered.
On your leave, at first, I felt empowered
by my sole successful attempt to set
boundaries. (I’d later have so much to grieve.)
In the moment, I was spiteful. Contempt
tinted my view of you. More than old friends;
at sixteen, we were closer than sisters.
Once we sprinted through Exit 10, Tercel
sputtering towards some strained family scene.
Your gossamer Joyce Leslie dress was lewd
as you bent over the rosewood casket,
to peer into the face. It looked like you.
Zipped up in plastic...that’s it as we bumped
Jay-Z. You clipped your hair, served Amber Rose.
Will you stay awake as the illness grows?
Are you falling asleep? Just in repose?
Does your gown bag like white tees in 00s videos?
Does the cocktail leave you gaunt and morose?
Do you know of your fate? Is it sour?
I’m far away, but misting as you breathe.
Around me veins split, perineums tear.
Infants twist inside their cozy pouches.
Comrades shit as they bleed out in bathtubs.
You wane wan, drawn as you blanch in moonlight.
But you’ve beat the piss out better things
with nerve enough to try you. O sick sage,
I can’t protect you from what the lump brings
but I’d’ve stayed on for the ride and rubbed
your heels as the shiv sliced open your hide.
Cyree Jarelle Johnson, "An Elegy for the Family (W)Rex" from Slingshot. Copyright © 2020 by Cyree Jarelle Johnson. Reprinted by permission of Nightboat Books.
Source:
Slingshot
(Nightboat Books, 2020)
